I shop a lot at Trader Joes, particularly in a recession when I try to maximize my food and wine purchases. Their most famous wine, of course, is Charles Shaw, better known as Two-Buck or Three-Buck Chuck, depending on which state you live in. At less than jug wines prices, they manage to turn out wines that satisfy many wine palates. A 2005 Charles Shaw Chardonnay even won best California Chardonnay at the 2007 California State Fair Commercial Wine Competition. What’s up with that?
Wine Economics 101
Getting a distributor to carry your wines exclusively, means you don’t need an advertizing budget. TJ buys it, and will advertize it to sell it if need be. At the prices the wine is sold, and with wine bargain hunters increasing daily, that probably isn’t necessary.
The raw product of wine making is the grapes. Buying grapes on the market and shopping for bargains, can reduce the costs of making wine. Alternately, if you own vineyards in the Central Valley of California, where acreage costs substantially less, and produce high volume grapes for bulk wine, the advantages of scale take hold.
Bronco Wine Company has some 35,000 acres up and down the Central Valley, adding 640 acres each year for use in about 50 different labels, including Charles Shaw. So now that you have the cheapest grapes, will this make the cheapest wine? If you streamline and automate the winemaking facilities, and maintain a high utilization rate, that is possible.
Wait a minute! Isn’t there an old saying, great wines can only come from great grapes? The corollary would be mediocre grapes make mediocre wine, wouldn’t it? In that case, the cheapest grapes better not be the worst grapes. For that you need someone well qualified to analyze each batch of grapes to insure the quality is reasonable. Then you need a wine maker that can perform magic with less-than-perfect grapes.
Charles Shaw Wines
Charles Shaw moved to Napa in 1974 with the intent to make French-styled Beaujolais, and, according to some accounts, succeeded. However, other varieties gained in popularity, and after his divorce in 1991, he sold the label to Bronco Wine Company. Once Trader Joes began marketing and selling it, the wine took off. Charles Shaw varietals include Sauvignon Blanc, Chardonnay, Beaujolais, Merlot, Shiraz, and Cabernet Sauvignon.
Many contend the “best Chardonnay” award is an aberration, possibly a special reserve crafted for the competition. While it wouldn’t be the first time that has happened it is undeniable that many wine drinkers love their Two-Buck wines and buy them by the caseload. I’d add that it is possibly the best wine value at that price point.
High volume wine provides great savings, but consistency from batch to batch usually suffers when you haven’t hand-picked the grapes, defined a style, and put quality control measurements at every stage of production. Many consumers have commented on the variability of lots of the same vintage at different stores.
I occasionally find a varietal that is drinkable during a vintage year, but most often I call Two-Buck Chuck “One-Note Chuck”, as there is little complexity on the palate or nose to generate interest, for me. The wine demands little and may even be crafted to be easy drinking. I don’t drink it, but I list many wines in that category, and for a lot more money. Besides, it’s not my wine palate you’re trying to please.
Nonetheless, you do get your money’s worth, which can’t be said of many wines. Considering the large base of enthusiasts, they must be doing something right. Charles Shaw wine has motivated many non-wine drinkers to try wine for the first time, and that may be its greatest value in the wine world. Salud!
Friday, June 12, 2009
Thursday, May 21, 2009
Santa Cruz Mountain Ramblings
I seldom fail to call on the Santa Cruz Mountain wineries when I visit the area. This is the first wine region I explored in depth when I lived in its foothills. Many wineries in the Santa Cruz Mountains offer discounts on their wines, but Byington was the first one that called it a stimulus package. Byington Winery rests on the ocean-facing side of the Santa Cruz Mountains, surrounded by vines on steeply sloped hills. Their quality wines are well priced and they are known for their Chardonnay, Pinot Noir, and Cabernet Sauvignon wines. And the stimulus involves the Cabs, two of which are deeply discounted on the website. I think this is the right stimulus – lower costs on excellent wines.
The East Side of the Santa Cruz Mountains
On this trip I planned to visit two wineries, Savannah-Chanelle Vineyards and Byington, on opposite sides of the Santa Cruz Mountains. The wineries are off roads I’ve bicycled numerous times when I lived around here, so the drive called up memories of other times, happily-spent. Savannah-Chanelle produces a number of wines, but their Pinot and Syrah wines are among my favorites. The 2006 Monterey County Syrah has the same appeal as the 2004s I'm enjoying in my cellar now. The 06 has balance, good fruit and spice and black pepper. Looks like I may be adding a case of this one, too.
Many Santa Cruz Pinots are influenced by the elevations, dramatic slopes of the hills and valleys, the maritime breezes, and the summer fog that forms when warm valley air hits cool ocean winds. Earthy and concentrated fruit are hallmarks of many Santa Cruz Pinots. This is also one of the oldest wine-producing regions in California, and it is rich in wine lore. The majority of Savannah-Chanelle Pinots are from vineyards on the Sonoma coast and Russian River area, which is a key region for great wines, but I still love the Estate Vineyards Santa Cruz Mountians Pinot Noir best. The estate Zinfandel and Cabernet Franc vines produce some of the best wines from these grapes in California as well.
Coastal Views of Monterey
The views from Byington winery are long, descending to Monterey Bay in the distance. Byington has been a destination for me for many years, and this time they made me a deal I couldn’t refuse. I’m looking at a bottle of the 2004 Cerro Prieto Vineyard Cabernet Sauvignon that arrived over the weekend. This is a potent Paso Robles Cab, with lots of blackberry and plum. Somehow they managed to crank 16% alcohol into this powerhouse without upsetting the balance. The tannins insure a good shelf life for this wine (4 to 9 years), but I don’t think my case will last that long.
On the website they are also discounting the 2004 Smith-Reichel Vineyard Cabernet Sauvignon from Sonoma’s Alexander Valley. This one clocks in at 15%, crafted to be age-worthy (6 to 10 years), and with a depth of fruit Alexander Valley is famous for. Since the normal price of both these cabs makes them a best buy, the sale prices should be darn near irresistible. Well, I certainly didn’t resist. Salud!
The East Side of the Santa Cruz Mountains
On this trip I planned to visit two wineries, Savannah-Chanelle Vineyards and Byington, on opposite sides of the Santa Cruz Mountains. The wineries are off roads I’ve bicycled numerous times when I lived around here, so the drive called up memories of other times, happily-spent. Savannah-Chanelle produces a number of wines, but their Pinot and Syrah wines are among my favorites. The 2006 Monterey County Syrah has the same appeal as the 2004s I'm enjoying in my cellar now. The 06 has balance, good fruit and spice and black pepper. Looks like I may be adding a case of this one, too.
Many Santa Cruz Pinots are influenced by the elevations, dramatic slopes of the hills and valleys, the maritime breezes, and the summer fog that forms when warm valley air hits cool ocean winds. Earthy and concentrated fruit are hallmarks of many Santa Cruz Pinots. This is also one of the oldest wine-producing regions in California, and it is rich in wine lore. The majority of Savannah-Chanelle Pinots are from vineyards on the Sonoma coast and Russian River area, which is a key region for great wines, but I still love the Estate Vineyards Santa Cruz Mountians Pinot Noir best. The estate Zinfandel and Cabernet Franc vines produce some of the best wines from these grapes in California as well.
Coastal Views of Monterey
The views from Byington winery are long, descending to Monterey Bay in the distance. Byington has been a destination for me for many years, and this time they made me a deal I couldn’t refuse. I’m looking at a bottle of the 2004 Cerro Prieto Vineyard Cabernet Sauvignon that arrived over the weekend. This is a potent Paso Robles Cab, with lots of blackberry and plum. Somehow they managed to crank 16% alcohol into this powerhouse without upsetting the balance. The tannins insure a good shelf life for this wine (4 to 9 years), but I don’t think my case will last that long.
On the website they are also discounting the 2004 Smith-Reichel Vineyard Cabernet Sauvignon from Sonoma’s Alexander Valley. This one clocks in at 15%, crafted to be age-worthy (6 to 10 years), and with a depth of fruit Alexander Valley is famous for. Since the normal price of both these cabs makes them a best buy, the sale prices should be darn near irresistible. Well, I certainly didn’t resist. Salud!
Atop St. Helena
Napa County has many beautiful hills and valleys with breathtaking landscapes, but I’ve found none better than the views from Kuleto Estate Winery. This Tuscan-inspired spot rests atop a steep hill near St. Helena, surrounded by terraced hills that shimmer with dusky light on emerald-draped vines. In the distance is Lake Hennessey, which I skirted on the drive up. The 2-mile private road that climbs up the mountainside had numerous panoramic mirrors positioned to expose blind corners, of which there were many. I was hoping I didn’t meet a celebrant coming down, because it is really a one-lane road.
Want to see for yourself? Check out the Kuleto Estate Winery website and pictures that can only hint at the specialness of this place. Setting, mood, and environmental sounds can all enhance a wine tasting experience, and our tour of the property provided the proper stimulus. Steve Frattini was our guide, and handed us glasses of the 2007 Rosato (Rosé) which was dry and full of strawberries and rich citrusy fruit. A good companion for a bracing climb.
We walked an up-sloping trail on the rim of the hill the winery occupied. A soft breeze brought the sounds of Cicadas singing, and sheep bleating. Vista after vista opened up around us as we passed the winery, which looked like it had grown out of the bedrock, stone-faced, with pillars that once served a Mexican church now upholding the patio roof. Beyond the winery was the home Pat Kuleto had built overlooking the valleys below. Earthy accents and the feel of a remote Tuscan villa completed the fairy tale picture.
My good friend, Judy Diaz, secured the invitation to this unique winery. Every time I come to Napa, she has at least one new jewel of a location to show me, but this one was really over the top. The architecture is stunning, even considering that Pat Kuleto has designed some of the most prestigious restaurants in California. The Fog City Diner, one of my favorites in San Francisco, was his 110th design and added to his growing reputation. He now has crafted 170 restaurants and owns some of the most popular, including Boulevard, Farrallon, and Jardinière in San Francisco, and the Martini House in St. Helena.
Rough-hewn stone works and fixtures that could have graced a prince’s hunting lodge, where balanced with art and clever design twists that proclaimed a master’s touch. Once we finished the tour, we went in to enjoy wine and select cheeses. Mindful of how seductively a cheese can enhance a wine, I focused on the wines first. The 2006 Zinfandel reminded me of my first wonderful Zin experience many, many years ago. That it could invoke such a memory spoke well for its balance and structure. Many Zins have an overwrought jammy core that almost overpowers the senses. This one brought the flavors of rich dark fruit and a myriad of spices added to the complexity of this balanced wine. Well worth the $40 price tag.
The 2004 Cabernet Sauvignon delivered all I could ask for in a Napa Cab, with a palate of sun-warmed blackberries, plum and black cherry, and spice, well-priced at $60. How could they top this I thought just before I tasted the 2004 Kuleto Estate Cabernet Sauvignon India Ink. Sampling this heady wine I think I achieved an elevated state of consciousness. Not for the first time I was thinking $90 was a reasonable price for a wine that delivered like this one.
Now that I’ve tasted a number of $90 cabs, which seems to be a favored price point, I’d rate this one alongside the Frank Family 2005 Rutherford reserve Cabernet Sauvignon and the Stonestreet 2005 Christopher Cabernet Sauvignon. If you know these wines you also know what exclusive company the Kuleto cab is in. Just please don’t ask me to chose which one is best, they all bring the fruit, the finesse and structure and the inducement to drink them again.
Steve also managed to locate a bottle of their dry Moscato, which provided a new appreciation of the Muscat grape. The Kuleto Estate Winery Chardonnay was also a surprise, although it had full malolactic fermentation (MLF), it didn't exhibit the buttery palate that makes many chardonnays flabby due to the artful way MLF was handled. All Kuleto wines represent the same attention to quality, passion, and patience that went into the design of Kuleto Estate. Try one of their reds and you may find yourself transported to a Tuscan landscape, too. Salud!
Want to see for yourself? Check out the Kuleto Estate Winery website and pictures that can only hint at the specialness of this place. Setting, mood, and environmental sounds can all enhance a wine tasting experience, and our tour of the property provided the proper stimulus. Steve Frattini was our guide, and handed us glasses of the 2007 Rosato (Rosé) which was dry and full of strawberries and rich citrusy fruit. A good companion for a bracing climb.
We walked an up-sloping trail on the rim of the hill the winery occupied. A soft breeze brought the sounds of Cicadas singing, and sheep bleating. Vista after vista opened up around us as we passed the winery, which looked like it had grown out of the bedrock, stone-faced, with pillars that once served a Mexican church now upholding the patio roof. Beyond the winery was the home Pat Kuleto had built overlooking the valleys below. Earthy accents and the feel of a remote Tuscan villa completed the fairy tale picture.
My good friend, Judy Diaz, secured the invitation to this unique winery. Every time I come to Napa, she has at least one new jewel of a location to show me, but this one was really over the top. The architecture is stunning, even considering that Pat Kuleto has designed some of the most prestigious restaurants in California. The Fog City Diner, one of my favorites in San Francisco, was his 110th design and added to his growing reputation. He now has crafted 170 restaurants and owns some of the most popular, including Boulevard, Farrallon, and Jardinière in San Francisco, and the Martini House in St. Helena.
Rough-hewn stone works and fixtures that could have graced a prince’s hunting lodge, where balanced with art and clever design twists that proclaimed a master’s touch. Once we finished the tour, we went in to enjoy wine and select cheeses. Mindful of how seductively a cheese can enhance a wine, I focused on the wines first. The 2006 Zinfandel reminded me of my first wonderful Zin experience many, many years ago. That it could invoke such a memory spoke well for its balance and structure. Many Zins have an overwrought jammy core that almost overpowers the senses. This one brought the flavors of rich dark fruit and a myriad of spices added to the complexity of this balanced wine. Well worth the $40 price tag.
The 2004 Cabernet Sauvignon delivered all I could ask for in a Napa Cab, with a palate of sun-warmed blackberries, plum and black cherry, and spice, well-priced at $60. How could they top this I thought just before I tasted the 2004 Kuleto Estate Cabernet Sauvignon India Ink. Sampling this heady wine I think I achieved an elevated state of consciousness. Not for the first time I was thinking $90 was a reasonable price for a wine that delivered like this one.
Now that I’ve tasted a number of $90 cabs, which seems to be a favored price point, I’d rate this one alongside the Frank Family 2005 Rutherford reserve Cabernet Sauvignon and the Stonestreet 2005 Christopher Cabernet Sauvignon. If you know these wines you also know what exclusive company the Kuleto cab is in. Just please don’t ask me to chose which one is best, they all bring the fruit, the finesse and structure and the inducement to drink them again.
Steve also managed to locate a bottle of their dry Moscato, which provided a new appreciation of the Muscat grape. The Kuleto Estate Winery Chardonnay was also a surprise, although it had full malolactic fermentation (MLF), it didn't exhibit the buttery palate that makes many chardonnays flabby due to the artful way MLF was handled. All Kuleto wines represent the same attention to quality, passion, and patience that went into the design of Kuleto Estate. Try one of their reds and you may find yourself transported to a Tuscan landscape, too. Salud!
Monday, April 20, 2009
Who Criticizes the Critic?
I recently viewed a very interesting documentary, questioning whether Robert Parker influences wine styles, and if so, by how much. And is that a bad thing? Differing opinions abound, but the term “Parkerized wines” suggests a commonly-held opinion that he does exert a strong pull on a winemaker’s style. One concern is the homogenizing of wines by following Parker preferences, and the negation of the affects of terroir on a wine. In other words, a Sonoma Russian River Zinfandel should not taste the same as one grown in the depths of the Arroyo Grande Valley on the Central Coast.
If two wines do taste the same, we might conclude that one or both wines have been over-manipulated. But how much is “over”? My short answer is that if the true nature of the grape, the soil it’s grown in and the weather patterns that harvest year, would make a unique wine, then over-oaking, longer hang-time, and other techniques would yield a palatable but generic wine that could have come from anywhere. The result is that some of the romance and specialness of the wine has been lost, which is sort of like colorizing Citizen Kane.
When I taste wine, I like to imagine where it came from. Sipping a Margaux, the lighter soils than its Northern neighbors and higher percentage of Merlot yields a soft, elegant wine with silky tannins, unmistakable from other Bordeaux wines. Tasting an authentic Santa Cruz Chardonnay, I’m back on the roads I bicycled for so many years, picking up the scent of sword ferns, huckleberry, trillium, and redwood sorrel. (I hate it when I don’t pick up the huckleberry.)
A wine Parker is said to favor is big on fruit, oak, and alcohol. That’s the short definition, but obviously his palate extends way beyond that or he wouldn’t be where he is. The fact is, many winemakers do go for over-extended hang time and longer extraction from the skins. Longer hang time means more sugars, lower acidity, and more alcohol. I’ve had 16+ % Zinfandels that can make one weak at the knees, bursting with ripe fruit and tongue-curling heat. Just don’t try to pair them with any wimpy food; they’ll overpower it.
Different types of oak change the signature of a grape, often for the better. Overdone they can unbalance a wine. Over-oaked California Chardonnay is, sadly, almost a redundant term. While oak flavors of vanilla, cloves, coconut, cinnamon, and spices can be desirable when subtle, bludgeoning a wine with oak makes them the most pronounced flavors, at which point, chewing on an oak tree begins to make sense. I can imagine someone complaining of oak-withdrawal when they switch to Old World styles.
If you take a red wine that exhibits black cherry flavors from extended hang-time, and age it in new American oak, you’re likely to get a strong vanilla flavor from the vanillin that resulted from toasting the staves before the barrel was assembled. Oak may also impart a toasty, nut-like flavor, such as coconut to the wine. What you can end up with is a wine reminiscent of Ben & Jerry’s Cherry Garcia ice cream.
Is that a good thing, or a bad thing? Depends on how much you love Cherry Garcia. By now, most Americans have grown up with California wines, and as alcohol levels rise, and more fruit-forward wines with big oak flavors multiply, our palates can lead us down the primrose path to fruit-bomb wines. Until we try to pair them with foods.
The disadvantages of this style of wine become clear when paired with food. As standalone wines, over-the-top reds stand out, which is one of the reasons they are chosen over more subtle, balanced wines of lower alcohol and oak shading. However, if you took your favorite dish to the tasting room, you might make different wine choices. I’m not advocating this, you understand, just pointing out a simple fact: tasting wines in isolation of what foods complement them, doesn’t reveal their suitability at the dinner table.
That said, I always have some big head-knocking wines in my cellar. Sitting on my patio on a balmy day with a Paso Robles Zinfandel and a well-aged cheddar works for me. Just don’t torture your rotisserie chicken with the same wine. There is room for all styles of wine. As long as one style doesn’t predominate; I have no problem with Parkerized wines.
Yes, Robert Parker has influenced the way wines are made, and that is good and bad depending on your own palate. He has also popularized wine in America, and made us aware of many wines deserving of recognition. Some winemakers have probably changed their style of making wine to earn higher scores. I’ve heard that some winemakers even have “Parker barrels” set aside that exhibit characteristics of past wines that have garnered 90 plus points.
The 100-point scale he created is actually a 50-point scale, going from 50 to 100. Would anyone even sample a 20-point wine? I don’t think so. Many contend that the scale suggests a level of precision that doesn’t square with reality, and I’d agree with that. The scale for movie reviews is often four to five stars, which seems appropriate for wine as well. Since a score of 88 can cause a wine to end up discounted and a 90 plus score can lead to raising the price of a wine, a more rational approach to wine scoring makes sense to me.
So who criticizes the critic? Everyone criticizes the critic when they disagree with a critic’s conclusion. That’s half the fun of reading a review, be it about wine or film. “Did you hear what so-and-so said about the 2005 Caymus Cab?” is often a good opening line in a discussion. So thank the critics for sticking their necks out and telling you what they think. They’ve heard it all before, too.
If two wines do taste the same, we might conclude that one or both wines have been over-manipulated. But how much is “over”? My short answer is that if the true nature of the grape, the soil it’s grown in and the weather patterns that harvest year, would make a unique wine, then over-oaking, longer hang-time, and other techniques would yield a palatable but generic wine that could have come from anywhere. The result is that some of the romance and specialness of the wine has been lost, which is sort of like colorizing Citizen Kane.
When I taste wine, I like to imagine where it came from. Sipping a Margaux, the lighter soils than its Northern neighbors and higher percentage of Merlot yields a soft, elegant wine with silky tannins, unmistakable from other Bordeaux wines. Tasting an authentic Santa Cruz Chardonnay, I’m back on the roads I bicycled for so many years, picking up the scent of sword ferns, huckleberry, trillium, and redwood sorrel. (I hate it when I don’t pick up the huckleberry.)
A wine Parker is said to favor is big on fruit, oak, and alcohol. That’s the short definition, but obviously his palate extends way beyond that or he wouldn’t be where he is. The fact is, many winemakers do go for over-extended hang time and longer extraction from the skins. Longer hang time means more sugars, lower acidity, and more alcohol. I’ve had 16+ % Zinfandels that can make one weak at the knees, bursting with ripe fruit and tongue-curling heat. Just don’t try to pair them with any wimpy food; they’ll overpower it.
Different types of oak change the signature of a grape, often for the better. Overdone they can unbalance a wine. Over-oaked California Chardonnay is, sadly, almost a redundant term. While oak flavors of vanilla, cloves, coconut, cinnamon, and spices can be desirable when subtle, bludgeoning a wine with oak makes them the most pronounced flavors, at which point, chewing on an oak tree begins to make sense. I can imagine someone complaining of oak-withdrawal when they switch to Old World styles.
If you take a red wine that exhibits black cherry flavors from extended hang-time, and age it in new American oak, you’re likely to get a strong vanilla flavor from the vanillin that resulted from toasting the staves before the barrel was assembled. Oak may also impart a toasty, nut-like flavor, such as coconut to the wine. What you can end up with is a wine reminiscent of Ben & Jerry’s Cherry Garcia ice cream.
Is that a good thing, or a bad thing? Depends on how much you love Cherry Garcia. By now, most Americans have grown up with California wines, and as alcohol levels rise, and more fruit-forward wines with big oak flavors multiply, our palates can lead us down the primrose path to fruit-bomb wines. Until we try to pair them with foods.
The disadvantages of this style of wine become clear when paired with food. As standalone wines, over-the-top reds stand out, which is one of the reasons they are chosen over more subtle, balanced wines of lower alcohol and oak shading. However, if you took your favorite dish to the tasting room, you might make different wine choices. I’m not advocating this, you understand, just pointing out a simple fact: tasting wines in isolation of what foods complement them, doesn’t reveal their suitability at the dinner table.
That said, I always have some big head-knocking wines in my cellar. Sitting on my patio on a balmy day with a Paso Robles Zinfandel and a well-aged cheddar works for me. Just don’t torture your rotisserie chicken with the same wine. There is room for all styles of wine. As long as one style doesn’t predominate; I have no problem with Parkerized wines.
Yes, Robert Parker has influenced the way wines are made, and that is good and bad depending on your own palate. He has also popularized wine in America, and made us aware of many wines deserving of recognition. Some winemakers have probably changed their style of making wine to earn higher scores. I’ve heard that some winemakers even have “Parker barrels” set aside that exhibit characteristics of past wines that have garnered 90 plus points.
The 100-point scale he created is actually a 50-point scale, going from 50 to 100. Would anyone even sample a 20-point wine? I don’t think so. Many contend that the scale suggests a level of precision that doesn’t square with reality, and I’d agree with that. The scale for movie reviews is often four to five stars, which seems appropriate for wine as well. Since a score of 88 can cause a wine to end up discounted and a 90 plus score can lead to raising the price of a wine, a more rational approach to wine scoring makes sense to me.
So who criticizes the critic? Everyone criticizes the critic when they disagree with a critic’s conclusion. That’s half the fun of reading a review, be it about wine or film. “Did you hear what so-and-so said about the 2005 Caymus Cab?” is often a good opening line in a discussion. So thank the critics for sticking their necks out and telling you what they think. They’ve heard it all before, too.
Bottle Shocked; or Who Was That Guy?
Bottle Shock is the latest in a series of wine-related movies, kick-started by Sideways, with a dubious oenological lineage. Yes, I had issues with that film as well. Since I’m a movie nut, and also write screenplays, I wanted to comment on this film, but movie times and my travel schedule didn’t gel, so I had to Netflix it. I just hope you aren’t expecting an Ebert-like review.
First off, I did enjoy the movie. Any movie that has Alan Rickman cast as a wine snob will get my attention. Can any other actor sneer as fulsomely as Rickman? I doubt it, and his role as the Englishman, Steven Spurrier, couldn’t have been better. Spurrier set up the blind tasting event between French Burgundy and Bordeaux wines and their California counterparts. Dennis Farina was also good as his amiable business associate. The setting of 1976 Paris was well mounted for the actual judgment at movie’s end. (Even though the actual tasting was shot in Napa.)
In many respects, this was a reasonable reenactment of the events surrounding the Paris tasting in 1976, which I learned from reading George Taber’s book, The Judgment of Paris. When the story moved to Napa and images of dusty vineyards rolled by, it triggered memories of my own explorations there, proof they did a good job of evoking Napa in the 70’s. Bill Pullman as the irascible owner of Chateau Montelena, Jim Barrett, hit all the right notes and played off Rickman well.
The following dialog between Pullman and Rickman pretty much sums up what I mean.
Jim Barrett: Why don’t I like you?
Steve Spurrier: Because you think I’m an ass. And I’m not really. It’s just that I’m British, and you aren’t.
At this point, recalling Taber’s book, I was expecting to meet the other major players in the Napa success story. And then . . . and then things got strange.
Who was this Gustavo Brambila character? And where were Mike Grgich and Warren Winiarski? Grgich crafted the award-winning Chardonnay for Chateau Montelena, and Winiarski founded Stag’s Leap Wine Cellars and crafted the winning Cabernet Sauvignon at the judging. Their bios in the book were part of what made it fascinating as these two men struggled from the bottom to the top of the Napa wine ladder.
Gustavo (Freddy Rodriguez) is a real character, although he wasn’t at Chateau Montelena when the Chardonnay was made. He even has his own winery, the well-regarded Gustavo Thrace Winery. (I’ve tasted his wine, which is quite good.) He was also the technical consultant to the film. Hmmm. Well, OK, add Gustavo, but why take out two of the four principal players in the Judgment of Paris?
For that we need to check out the behind-the-scenes story, which may be as entertaining as the film. The screenwriter, Ross Schwartz, began work on the script before the Taber book came out. He planned to show the rivalry between Barrett and Grgich, but when Grgich asked to be removed from the film, Schwartz switched it to Jim and his son Bo (Chris Pine). If you don’t think that was a rivalry, you should check out the boxing scenes.
Schwartz decided to focus on this story, and the only mention of Winiarski or Stag’s Leap Wine Cellars was in the closing remarks summarizing the winners and subsequent blind tastings, which were also won by the Californians. If Grgich had wished to be in the film, Danny Devito had been cast to play him. What a missed opportunity, Devito and Rickman discoursing on wine; that I’d have paid extra to see.
While the lyrical subplot of Bo’s and Gustavo’s infatuation with Sam, (played by the glowing Rachel Taylor), was entertaining, it would tend to lead some viewers to the conclusion that Gustavo’s red wine was a winner at the blind tasting. Particularly since Sam’s passion for Gustavo’s wine soon led to a different kind of passion in a shack. I can’t believe the film played on the “shacked-up” metaphor. And I can’t believe I just commented on it.
What they got right was the passion for wine making and the sense that Napa was poised to take on the wine world. Wine purists have derided the movie for its inaccuracies, but the oenological sense of life felt right to me. Although Spurrier sent his assistant to Napa to procure the wine, the filmmaker’s decision to have Rickman confront the Californians on their own turf was an excellent choice and provided some of the film’s best moments.
There is another picture about the very same event called Judgment of Paris, which is in development and slated for 2010. The screenplay is by Robert Mark Kamen, based on the book by George Taber. Kamen is also a wine maker, and will probably be more faithful to the book. The film is also approved by Steven Spurrier, who claimed Rickman was too old and portrayed him as an effete wine snob. Unfortunately, every comment I’ve read by him comes across to me in Rickman’s voice. About Bottle Shock, Spurrier said “No doubt I shall have to watch it on my flight to Singapore next week, but at least it will be from the comfort of First Class, with a glass of Dom Perignon to ease the pain.”
See what I mean? Rickman, right?
Once more multiple movies based on the same story are generating controversy, and talk of law suits. While a more accurate take on the events of the Paris tasting would be welcomed, keeping it as entertaining as Bottle Shock could prove challenging. Particularly since Keanu Reeves is being cast as the diminutive Mike Grgich. What happened to Devito in all this? Who knows, if this movie comes out we may get the Judgment of Wine Movies. Salut!
First off, I did enjoy the movie. Any movie that has Alan Rickman cast as a wine snob will get my attention. Can any other actor sneer as fulsomely as Rickman? I doubt it, and his role as the Englishman, Steven Spurrier, couldn’t have been better. Spurrier set up the blind tasting event between French Burgundy and Bordeaux wines and their California counterparts. Dennis Farina was also good as his amiable business associate. The setting of 1976 Paris was well mounted for the actual judgment at movie’s end. (Even though the actual tasting was shot in Napa.)
In many respects, this was a reasonable reenactment of the events surrounding the Paris tasting in 1976, which I learned from reading George Taber’s book, The Judgment of Paris. When the story moved to Napa and images of dusty vineyards rolled by, it triggered memories of my own explorations there, proof they did a good job of evoking Napa in the 70’s. Bill Pullman as the irascible owner of Chateau Montelena, Jim Barrett, hit all the right notes and played off Rickman well.
The following dialog between Pullman and Rickman pretty much sums up what I mean.
Jim Barrett: Why don’t I like you?
Steve Spurrier: Because you think I’m an ass. And I’m not really. It’s just that I’m British, and you aren’t.
At this point, recalling Taber’s book, I was expecting to meet the other major players in the Napa success story. And then . . . and then things got strange.
Who was this Gustavo Brambila character? And where were Mike Grgich and Warren Winiarski? Grgich crafted the award-winning Chardonnay for Chateau Montelena, and Winiarski founded Stag’s Leap Wine Cellars and crafted the winning Cabernet Sauvignon at the judging. Their bios in the book were part of what made it fascinating as these two men struggled from the bottom to the top of the Napa wine ladder.
Gustavo (Freddy Rodriguez) is a real character, although he wasn’t at Chateau Montelena when the Chardonnay was made. He even has his own winery, the well-regarded Gustavo Thrace Winery. (I’ve tasted his wine, which is quite good.) He was also the technical consultant to the film. Hmmm. Well, OK, add Gustavo, but why take out two of the four principal players in the Judgment of Paris?
For that we need to check out the behind-the-scenes story, which may be as entertaining as the film. The screenwriter, Ross Schwartz, began work on the script before the Taber book came out. He planned to show the rivalry between Barrett and Grgich, but when Grgich asked to be removed from the film, Schwartz switched it to Jim and his son Bo (Chris Pine). If you don’t think that was a rivalry, you should check out the boxing scenes.
Schwartz decided to focus on this story, and the only mention of Winiarski or Stag’s Leap Wine Cellars was in the closing remarks summarizing the winners and subsequent blind tastings, which were also won by the Californians. If Grgich had wished to be in the film, Danny Devito had been cast to play him. What a missed opportunity, Devito and Rickman discoursing on wine; that I’d have paid extra to see.
While the lyrical subplot of Bo’s and Gustavo’s infatuation with Sam, (played by the glowing Rachel Taylor), was entertaining, it would tend to lead some viewers to the conclusion that Gustavo’s red wine was a winner at the blind tasting. Particularly since Sam’s passion for Gustavo’s wine soon led to a different kind of passion in a shack. I can’t believe the film played on the “shacked-up” metaphor. And I can’t believe I just commented on it.
What they got right was the passion for wine making and the sense that Napa was poised to take on the wine world. Wine purists have derided the movie for its inaccuracies, but the oenological sense of life felt right to me. Although Spurrier sent his assistant to Napa to procure the wine, the filmmaker’s decision to have Rickman confront the Californians on their own turf was an excellent choice and provided some of the film’s best moments.
There is another picture about the very same event called Judgment of Paris, which is in development and slated for 2010. The screenplay is by Robert Mark Kamen, based on the book by George Taber. Kamen is also a wine maker, and will probably be more faithful to the book. The film is also approved by Steven Spurrier, who claimed Rickman was too old and portrayed him as an effete wine snob. Unfortunately, every comment I’ve read by him comes across to me in Rickman’s voice. About Bottle Shock, Spurrier said “No doubt I shall have to watch it on my flight to Singapore next week, but at least it will be from the comfort of First Class, with a glass of Dom Perignon to ease the pain.”
See what I mean? Rickman, right?
Once more multiple movies based on the same story are generating controversy, and talk of law suits. While a more accurate take on the events of the Paris tasting would be welcomed, keeping it as entertaining as Bottle Shock could prove challenging. Particularly since Keanu Reeves is being cast as the diminutive Mike Grgich. What happened to Devito in all this? Who knows, if this movie comes out we may get the Judgment of Wine Movies. Salut!
Friday, March 13, 2009
The Pope’s New House is All about Wine
Châteauneuf-du-Pape is a village dedicated to wine, and even comes with a papal blessing. The name translates as the "Pope’s new house", and at one time it was. Pope Jean XXII had the chateau built in 1320, and it became the summer palace of future Popes of Avignon. The chateau was destroyed by the Protestants of Montbrun in 1562, and the town ravaged by Calvinist twice during the Wars of Religion. If only they’d drunk the wine first, all of this unpleasantness could have been avoided.
The final blow came during World War II when the retreating Germans destroyed the chateau. Now only two walls remain of the building that defines one of the most interesting wines of the Southern Rhône. Châteauneuf-du-Pape is made from up to thirteen grape varieties. Yes, you read that right. I can hardly imagine blending five grapes in a Meritage blend, how do they manage thirteen? Quite well, thank you, if the 2005 vintage is any guide.
There are three key elements of any Châteauneuf-du-Pape. The base grape is usually Grenache, the workhorse of Southern Rhone wines, and also of Spain where it is called Garnacha and is Espana’s most heavily planted grape. Its sweet berry flavors and low tannins make it an ideal candidate for the Rosé wines of Tavel and Lirac. The structure and tannin comes from the Syrah grape, and Mourvèdre adds muscle, deep color, and jammy blackberry favors. What they do with the other ten grapes I haven’t a clue, but I see them as brush marks on the canvas created by the three main grapes.
I recently tried two very different Châteauneuf-du-Pape wines, both from the very good 2005 vintage. The 2005 Pere Caboche Mirande Châteauneuf Du Pape was closer to what I expected in this wine, jammy fruit, good tannins, raspberry in the nose and cherry and plum in the palate. A good entry, but a bit more heat and less balance than the second wine a 2005 Châteauneuf du Pape La Tiare du Pape (the Pope’s Crown).
This is a wine from the Skalli Family Wines Americas, more specifically the Maison Bouachon vineyards. Blackberries and cherries and plum predominate on the palate, but with more subtlety than the Pere Caboche Mirande. The three principal grapes constitute 97% of the wine with a number of other grapes rounding out the blend.
I must confess I didn’t allow enough time for the wine to open up before sampling, and picked up more depth as it had more time to breathe. I’d recommend a full hour in a carafe before indulging, as is true for many of these wines. I had also expected a bigger wine after trying the Maison Bouachon Cotes-du-Rhone, and that colored my first impression. Many of us bring our expectations to a wine, and it can have a negative impact on our appreciation.
If you have not had a chance to sample Châteauneuf-du-Pape wines, or had tried them long in the past, now is the time to savor the wines of this village, blessed by a Pope during its founding, and blessed by the warm weather and stony soils of today. Salut!
The final blow came during World War II when the retreating Germans destroyed the chateau. Now only two walls remain of the building that defines one of the most interesting wines of the Southern Rhône. Châteauneuf-du-Pape is made from up to thirteen grape varieties. Yes, you read that right. I can hardly imagine blending five grapes in a Meritage blend, how do they manage thirteen? Quite well, thank you, if the 2005 vintage is any guide.
There are three key elements of any Châteauneuf-du-Pape. The base grape is usually Grenache, the workhorse of Southern Rhone wines, and also of Spain where it is called Garnacha and is Espana’s most heavily planted grape. Its sweet berry flavors and low tannins make it an ideal candidate for the Rosé wines of Tavel and Lirac. The structure and tannin comes from the Syrah grape, and Mourvèdre adds muscle, deep color, and jammy blackberry favors. What they do with the other ten grapes I haven’t a clue, but I see them as brush marks on the canvas created by the three main grapes.
I recently tried two very different Châteauneuf-du-Pape wines, both from the very good 2005 vintage. The 2005 Pere Caboche Mirande Châteauneuf Du Pape was closer to what I expected in this wine, jammy fruit, good tannins, raspberry in the nose and cherry and plum in the palate. A good entry, but a bit more heat and less balance than the second wine a 2005 Châteauneuf du Pape La Tiare du Pape (the Pope’s Crown).
This is a wine from the Skalli Family Wines Americas, more specifically the Maison Bouachon vineyards. Blackberries and cherries and plum predominate on the palate, but with more subtlety than the Pere Caboche Mirande. The three principal grapes constitute 97% of the wine with a number of other grapes rounding out the blend.
I must confess I didn’t allow enough time for the wine to open up before sampling, and picked up more depth as it had more time to breathe. I’d recommend a full hour in a carafe before indulging, as is true for many of these wines. I had also expected a bigger wine after trying the Maison Bouachon Cotes-du-Rhone, and that colored my first impression. Many of us bring our expectations to a wine, and it can have a negative impact on our appreciation.
If you have not had a chance to sample Châteauneuf-du-Pape wines, or had tried them long in the past, now is the time to savor the wines of this village, blessed by a Pope during its founding, and blessed by the warm weather and stony soils of today. Salut!
French Wines with a Southern Exposure
For several years now, wines of France’s southern regions, most notably the Rhone and Languedoc, have been crafting wines well suited to New World wine palates. The longer growing season permits longer hang time for the grapes, thus higher sugar and higher alcohol for the wines. Longer hang time also means lower acidity and a different flavor profile for the grapes. Add to this the implementation of many modern winemaking techniques, which improves the consistency and quality of the wine.
One of the principal grapes of these regions is Syrah, which is also popular in the domestic market. The Northern Rhone makes many wines exclusively from this grape. In the Southern Rhone region, blends predominate as is typical with many French wines, and the results here are proving popular on this side of the Atlantic. Two of the key grapes used in blends are Grenache and Mourvèdre; both exhibit bold flavors and coupled with Syrah for structure make wines with bright fruit flavors, medium to full-body, and rich tannins.
Two of the most popular of these blends are Cotes-du-Rhone and Châteauneuf-du-Pape. We’ll explore Cotes-du-Rhone in this article and Châteauneuf-du-Pape in a follow-up article. If there was one wine that seemed to be ubiquitous when I explored Belgium and France in the mid-80s, it was Cotes-du-Rhone, and it became the go-to wine my fiancé, Barbara, and I bought. Inexpensive and dependable, it formed the basis of many repasts that revolved around bread, cheese, and pâté.
The Crotte du Diable Incident
One particular cheese and wine pairing always comes to mind. While exploring a castle outside Brussels with another couple the subject of strong cheeses came up. A suggestion was launched that we should try Crotte du Diable, which we were told, loosely translates to Devil’s excrement. That did give me a moment’s pause, but since I’m a certified cheesaholic, and never met a cheese I couldn’t handle, this came as a sort of challenge. Later we went to a fromagerie in Brussels to order some cheeses.
Barbara is quite conversant in French so I let her take the lead on ordering. Unfortunately, she wasn’t as conversant with the metric system. Her request for 200 kilos of cheese (about 440 lbs) prompted the counterman to ask, “Perhaps Madame has a truck outside?” When I saw the Crotte du Diable in the display case and pantomimed that I wanted it was well, I’m sure he thought we were both nuts. The round package – mercifully small as later events would prove – had an orange-yellow background with a black-accented devil holding a steaming object on one of the tines of his trident. The thing looked a lot like, er, perhaps you can guess.
The preparations for the picnic were not complete until we had a bottle of Cotes-du-Rhone, of course. We found a wonderful area on the grounds of Tervuren Park in front of an Musée Royal de l’Afrique Central with marble sculpture, a huge lawn, and a border of trees. After spreading a blanket, I opened the wine and then unpacked the Crotte du Diable, eager to taste this potent cheese. I noticed almost as soon as I opened the package that birds reversed their flight, dogs backed up whining and the sounds of insects buzzing ceased. Or maybe it was just my imagination. The watering of my eyes, I did not imagine, however.
Placing some cheese on a cracker, I was relieved to see the color at least was pale yellow and cheese-like. You’ve heard the expression, “flavor explosion”? I think this is where the term was derived. I experienced everything but sound effects. Limburger is wimpy compared to this little cheese. But I survived, at least momentarily.
Barbara said to me, “Oh, you have to try it with the wine.” Really? So I took a sip of the Cotes-du-Rhone and experienced a chemical change in the composition of the cheese that truly indicated where it got its name. Did this create a bad taste in my mouth? I wanted to rip out my tongue. If I’d looked more closely at this woman, I would have noticed the tears of pain coursing down her cheeks and the faux smile frozen on her face. Then she almost gagged as peals of laughter followed. I’d been had.
After that there was little else I could do but marry her, and try getting back at her for that nasty trick. I don’t think I ever came close, but I keep trying. I also keep trying Cotes du Rhone, but I’m much more careful about cheese pairing.
Maison Bouachon Cotes-du-Rhone
The Skalli Family Wines Americas includes the Napa-based St. Supery Winery, vineyards in Corsica, and in the Languedoc. The family came from Algeria in 1961 after Algerian independence, began growing grapes in Corsica, then Languedoc and two locations in Napa where conditions were similar to the Languedoc region. In 2001, they purchased Maison Bouachon in the Rhone valley.
I sampled their Cotes-du-Rhone “Les Rabassières” recently and was very impressed. This is a big wine, tasting like a harmonious blend of the Old and New World. Red berry fruits, tastes of violets, and prunes with a lush mouthfeel. The Grenache (60%) leads the way with 30% Syrah providing good structure, and 10% Mourvèdre for added complexity. I played it safe and paired it with a NY strip and baked potato. Besides, I’m not sure you can get Crotte du Diable without a permit these days. Salut!
One of the principal grapes of these regions is Syrah, which is also popular in the domestic market. The Northern Rhone makes many wines exclusively from this grape. In the Southern Rhone region, blends predominate as is typical with many French wines, and the results here are proving popular on this side of the Atlantic. Two of the key grapes used in blends are Grenache and Mourvèdre; both exhibit bold flavors and coupled with Syrah for structure make wines with bright fruit flavors, medium to full-body, and rich tannins.
Two of the most popular of these blends are Cotes-du-Rhone and Châteauneuf-du-Pape. We’ll explore Cotes-du-Rhone in this article and Châteauneuf-du-Pape in a follow-up article. If there was one wine that seemed to be ubiquitous when I explored Belgium and France in the mid-80s, it was Cotes-du-Rhone, and it became the go-to wine my fiancé, Barbara, and I bought. Inexpensive and dependable, it formed the basis of many repasts that revolved around bread, cheese, and pâté.
The Crotte du Diable Incident
One particular cheese and wine pairing always comes to mind. While exploring a castle outside Brussels with another couple the subject of strong cheeses came up. A suggestion was launched that we should try Crotte du Diable, which we were told, loosely translates to Devil’s excrement. That did give me a moment’s pause, but since I’m a certified cheesaholic, and never met a cheese I couldn’t handle, this came as a sort of challenge. Later we went to a fromagerie in Brussels to order some cheeses.
Barbara is quite conversant in French so I let her take the lead on ordering. Unfortunately, she wasn’t as conversant with the metric system. Her request for 200 kilos of cheese (about 440 lbs) prompted the counterman to ask, “Perhaps Madame has a truck outside?” When I saw the Crotte du Diable in the display case and pantomimed that I wanted it was well, I’m sure he thought we were both nuts. The round package – mercifully small as later events would prove – had an orange-yellow background with a black-accented devil holding a steaming object on one of the tines of his trident. The thing looked a lot like, er, perhaps you can guess.
The preparations for the picnic were not complete until we had a bottle of Cotes-du-Rhone, of course. We found a wonderful area on the grounds of Tervuren Park in front of an Musée Royal de l’Afrique Central with marble sculpture, a huge lawn, and a border of trees. After spreading a blanket, I opened the wine and then unpacked the Crotte du Diable, eager to taste this potent cheese. I noticed almost as soon as I opened the package that birds reversed their flight, dogs backed up whining and the sounds of insects buzzing ceased. Or maybe it was just my imagination. The watering of my eyes, I did not imagine, however.
Placing some cheese on a cracker, I was relieved to see the color at least was pale yellow and cheese-like. You’ve heard the expression, “flavor explosion”? I think this is where the term was derived. I experienced everything but sound effects. Limburger is wimpy compared to this little cheese. But I survived, at least momentarily.
Barbara said to me, “Oh, you have to try it with the wine.” Really? So I took a sip of the Cotes-du-Rhone and experienced a chemical change in the composition of the cheese that truly indicated where it got its name. Did this create a bad taste in my mouth? I wanted to rip out my tongue. If I’d looked more closely at this woman, I would have noticed the tears of pain coursing down her cheeks and the faux smile frozen on her face. Then she almost gagged as peals of laughter followed. I’d been had.
After that there was little else I could do but marry her, and try getting back at her for that nasty trick. I don’t think I ever came close, but I keep trying. I also keep trying Cotes du Rhone, but I’m much more careful about cheese pairing.
Maison Bouachon Cotes-du-Rhone
The Skalli Family Wines Americas includes the Napa-based St. Supery Winery, vineyards in Corsica, and in the Languedoc. The family came from Algeria in 1961 after Algerian independence, began growing grapes in Corsica, then Languedoc and two locations in Napa where conditions were similar to the Languedoc region. In 2001, they purchased Maison Bouachon in the Rhone valley.
I sampled their Cotes-du-Rhone “Les Rabassières” recently and was very impressed. This is a big wine, tasting like a harmonious blend of the Old and New World. Red berry fruits, tastes of violets, and prunes with a lush mouthfeel. The Grenache (60%) leads the way with 30% Syrah providing good structure, and 10% Mourvèdre for added complexity. I played it safe and paired it with a NY strip and baked potato. Besides, I’m not sure you can get Crotte du Diable without a permit these days. Salut!
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